Anthropic/Claude Opus 5

A single self-contained HTML 3D audio visualizer driven by a procedurally generated EDM track — music, sound and a black hole all generated with no external assets — showing off Opus 5's Three.js creativity.

Opus 5 High nailed a Leonardo da Vinci ornithopter in Three.js from a terse prompt (he even told it to “be lazy”) — a showcase of its 3D generation.

Deconstructed the iconic Yellow Crane Tower in 3D — an AI-driven, layer-by-layer architectural assembly video built with Opus 5 + Seedance 2.0.

Calls Opus 5 a “3D beast” — a one-shot Three.js scene with a level of detail he says he's never gotten before, even across multiple tries (and notes it's token-hungry).

Used Opus 5 to generate what he calls the best Remotion marketing video he's seen — clean transitions, music timing locked to the frame, branding nailed unprompted — from one prompt, arguing it outperforms Fable 5 at marketing video.

Ran an existing Kimi K3-built game through Opus 5 on High mode; a single prompt transformed the whole map, all weapons, and every interactive machine — pack-a-punch, perk machines, mystery box, teleporters — in one shot.

Highlighted a first-person shooter game built with Opus 5 from a single prompt — the kind of one-prompt vibecoding the model is being used for.

Tested Claude's Excel extension with Opus 5: one prompt drove 37 minutes of autonomous research across many public sources into an in-depth NVIDIA analysis.

Opus 5 built a Call of Duty-style 5v5 multiplayer shooter from one prompt in about half an hour — with real terrain and enterable buildings, well beyond the flat maps earlier models produced.

Opus 5 built, equipped, rigged and animated a game character in Three.js entirely in code — no external asset pipeline.

Made a complete Three.js game in a single HTML file from one prompt.

Opus 5 built a tabletop D&D experience in Three.js with an AI game master running local models — and visuals that hold up.

Gave Opus 5 and Fable 5 the exact same task — a 3D Flappy Bird — to compare output and cost head-to-head (Max effort: ~250K tokens/~1 hr on Opus vs ~130K on Fable).

Ran Matt Shumer's prompt on Opus 5 for over ten hours and ~1.3M tokens; it produced a full playable game, and he made a video of it with Opus 5 too.

Showed off Opus 5's web-design chops — a polished result from a single prompt.

Built “Claudepunk 2077,” a cyberpunk Three.js scene, from a single Opus 5 prompt and open-sourced it on GitHub.

Produced a finished SaaS ad from a single Opus 5 prompt.

One-shot a full game — a “Maccha Chameleon” remake — with every sprite, animation and line of logic as custom code and not a single external asset.

Gave Opus 5 the same space-game prompt he'd tested on Fable; pure Three.js code with no external APIs, assets or skills — and it blew past his expectations.

One-shot an FPS with Opus 5 — every weapon, enemy, mechanic and environment generated from scratch, prompt to playable in under an hour.

Opus 5 aced his “4 Elements” benchmark, generating an entire 3D world from a single prompt — a result he didn't expect it to reach.

Opus 5 created a colosseum arcade fighting game from just one prompt.

One-shot an entire “SkySurfer” game with Opus 5 in under 15 minutes for less than $5 — graphics, sound, music and gameplay all real code.

A single prompt produced a game with over 20,000 trees and more than a million blades of grass — no complex game-dev setup required.

“We might actually be cooked.” Built an impressive interactive demo in one shot with Opus 5.

Ran a chilli-brand website head-to-head: Opus 5 clearly beat Kimi K3 on 3D generation, while Kimi kept the edge on GSAP motion consistency across sections.

One prompt delivered a complete single-file WebGL game — runtime-generated everything, real PBR, and atmospheric lore, with zero assets.

One-shot a Minecraft-style voxel game with Opus 5 — a playable voxel world with survival mechanics, no retries.

Opus 5 one-shot a playable game over a four-hour run from a single prompt — everything custom code, no external asset packs.

Built an entire animation from a single Claude Opus 5 prompt.